Celebrating 10 years of Rebellious Noise

Today marks 10 years since the first Rebellious Noise event ‘In-Fest‘ and we are celebrating our 10th Birthday with gratitude for those that have helped shape us and excitement for the progression seen over the last 10 years to continue to greater heights.

To mark the occasion we have posted a thank you note and memory collage with our brand new logo to our social media pages:

With time comes progress, celebrating 10 years of Rebellious Noise

Thank you to everyone who has had a part in the growth of RN.
Those have that attended our concerts and club nights, musicians & DJs that have performed at events, everyone that has watched or featured in our videos, written for the website, has bought merchandise, promoted any of our projects, did filming or photography, worked on stalls & box offices, listened to or featured on a podcast.

Anyone that has contributed their time, money, support, space, advice, influence, skills or talent to Rebellious Noise. We love you, here’s to another 10 years full of growth and progress.

Celebrating 10 years of Rebellious Noise

‘Lost’ 1984 episode of Only Fools and Horses to air for the first time

Fans of the classic British comedy featuring the Trotter family will be happy to know that a previously unaired episode of Only Fools and Horses will finally hit British Television for the first time. The 1984 short episode is titled “Licensed to Drill” and revolves around Del Boy attempting to pull another ‘fast one’ by purchasing an oil rig for just £400, but as always with the loveable con man his plans don’t quite work out the way he had hoped.

Originally the episode was produced as an educational video for Science lessons in schools throughout the UK in the 1980s to teach children about the oil industry, but had apparently been forgotten about not long after. The rare episode has since shown up in a few official and unofficial releases but has never been shown on British television. The rarity of the episode isn’t the only special thing about “Licensed to Drill” though, as it’s also the last ever performance from Lennard Pearce as Grandad before his sudden passing in December 1984.

The episode does not feature a laugh track which is something that is common in ‘one off specials’ of the show and there are no scenes outside of the famous flat in Nelson Mandela House that Del, Rodney and Grandad live in other than those shown on the TV programme that fuels Del Boy’s interest in the oil industry as a get rick scheme. A one off theme song was also composed and performed by series creator John Sullivan and is featured in the episode.

UKTV Gold will be airing scenes from the ‘lost’ episode, bloopers, behind the scenes clips and cast interviews for their The Story of Only Fools and Horses which will run Tuesdays at 8pm until October 3rd.

Want more of your cheeky London fix? Check out the Pie & Mash Off from Rebellious Noise

REVIEW: Narcos (Season 3)

Most people’s first thoughts going into Season 3 of the popular Netflix drama based on Colombia’s drug war and it’s high profile characters are mainly surrounding the absence of it’s two main characters Pablo Escobar and Steve Murphy, but it doesn’t take long for Narcos to feel like going forward with a new yet familiar direction is that much of a stretch.

It would be hard for any show to move away from it’s two main characters and more so when one of them is a brilliant performance throughout, seeing as Wagner Moura’s portrayal of Escobar is one that draws you in and sends you through a minefield of emotions. I was not sure if I could be tricked into sympathising for a “bad guy” like I was with Moura’s Escobar.

Whilst the first two seasons focused on the rise and fall of Pablo Escobar being told through the eyes of DEA Agent Murphy (Boyd Holbrook) with the help of his colleague Javier Pena (Pedro Pascal), this season saw Pascal’s character take the narrator and main protagonist role as the two worlds of history and television drama mixed again.

The trailers for Season 3 used the tagline “Witness the rise of a new empire” and really hyped up the Cali Cartel as the new bosses in town. Whilst the trailer got me excited, it was still those lingering thoughts about moving away from Escobar, not only from a character point of view but also a historical significance one. I had heard a lot about Pablo Escobar over the years and nothing of those that were the secondary drug trafficking operation whilst he was around and I was worried that the hype of a new ‘bigger and badder’ regime might not have as much of a gripping story to tell.

Within the first few episodes my fears were completely eradicated though, as the use of familiar faces helped bridge the gap between the previous seasons. Three of the four Cali Cartel Godfathers had been a part of previous episodes, so the returns of Gilberto and Miguel Rodriguez along with their partner Pacho were some of the most welcome familiar faces as each of them stepped into the limelight with ease. It felt like the absence of one main antagonist this season would mean the focus this time around, would be centred on the drug war as a whole with the four main Cali bosses sharing the load. Gilberto Rodriguez (Damian Alcazar) is portrayed as the highest ranking of the four and does seem to be a legitimate threat to the world around him with his cool, calm and collected manner. Gilberto’s big plan and tactics start to grate on his partners, mostly his brother Miguel (Franciso Denis) who has a much more ruthless approach but seems to be thinking along the same lines as most of the lower ranking cartel members. Pacho (Alberto Ammann) was an interesting character in previous episodes and picks the audience right back up with a feeling that is slightly similar to the portrayal of Escobar in the first two seasons, one that led to us to sometimes want to root for the “charming bad guy”.

The best new character in the series is by far is the fourth Cali Godfather Chepe (Pepe Rapazote) who is the man in charge of operations in New York. From the earliest encounters with Rapazote’s infectious charisma I just wanted to see more. The role suits him in the sense that it is played really well but unfortunately the character is not utilised as much as I would have liked, which is one of the difficult things with the limitations of “based on true event” stories. Chepe is not in Colombia for much of the story and therefore is only shown on screen a few times, but when he gets his moments he really does seize them. For a brief moment I was convinced that they had done a really good make up job on a trimmed down Wagner Moura and given him a second role in the series, the sheer intensity in Rapazote’s eyes reminded me of the Escobar of Seasons 1 & 2. I would be very interested in seeing Pepe Rapazote take on a leading role of a similar nature in the future.

Another new character that wins over the audience is the sympathetic Jorge Salcedo (Matias Varela), who is a portrayed as one of the good guys caught up in a bad regime. Jorge has dreams of a steady family life running his own security firm, but this is Narcos and that means that his story won’t be going the way he had planned as he becomes a key figure in the third season. Varela’s portrayal of the family man is a convincing one as we see how good Jorge is at his job and I found myself starting to wonder what his own security firm would look like. The character doesn’t just come across as a hard working man though, the storylines surrounding him really do help bring out the emotion and unpredictability that Seasons 1 & 2 perfected.

Agent Pena is a little more grown up in this season as he takes on the role of accomplished hero after being an instrumental part in taking down Escobar. The first two seasons dove into Pena’s background and showed a sometimes careless and destructive side of the DEA agent, but he’s “a suit” now and struggles to fit into his role as he tries to just get the job done inside a corrupt system. I feel that Pedro Pascal takes on the main protagonist role with ease and conveys the character’s continued yet evolved inner struggles well. I would have preferred to see the character’s back story highlighted a little more as it felt the writers flirted with the idea a little at the start of the season, with his family life and the quick appearance of an old flame which sadly wasn’t ever picked up on again after that.

Two new agents are introduced to work alongside Pena and are the lesser used but well placed partners Chris Feistl (Michael Stahl-David) and Daniel Van Ness (Matt Whelan). The partnership grows throughout the season and Whelan’s character in particular really picks up after initially taking a back seat and hardly having a word in his first few scenes. He becomes an intriguing person to watch and I found myself wanting to learn more about him. Stahl-David’s character feels like he is the chosen one to replace Steve Murphy in this series and I was a little worried that it would become too obvious and feel like he was forced down our throats but I was pleasantly surprised. Where most shows have a habit of shoving new protagonists in our faces to let us know that he is the new “top guy”, it was a nice gradual build for Chris Feistl who alongside Daniel Van Ness as they became characters I felt ready to see more of.

The final new character that I want to mention is one that I found myself wanting to join the DEA, go to Colombia and capture with a smile on my face. Miguel’s son David Rodriguez (Arturo Castro) starts out as a character that doesn’t feel like he could become a big part of the season, although things soon change when his “spoilt brat with anger issues” personality really starts to show. David becomes obsessed with finding rats and moles within the Cartel for his father whilst trying to clearly influence him at the same time. We soon learn that even though he is a spoilt brat, he clearly knows how to use his power and skills to control a group of people. His character is an interesting and insightful portrayal of Columbian youth at that time. Whilst each of the three seasons have a rich Colombian feel to them throughout with scenery, language and traditional music, this third instalment of the show interestingly shows David being influenced by American youth culture. This is shown in scenes where he hangs out with his cronies whilst listening to Mobb Deep and Wu-Tang Clan instead of the traditional music enjoyed by his father’s generation. It makes you wonder whether or not David could have been the Cali guy in New York instead, running things with an ear on both his main rivals and target demographic within the United States.

Anyway, that’s enough praise for the guy because like I said, I just wanted the character to get what was coming to him every time he was on screen and his extremely punchable face (sorry Arturo… but it’s a gift when playing bad guys though!) probably helps bring that out of audiences more. He just looks like he should be a nice guy and that just makes you hate him more.

Narcos 3 is a great watch and does what it should …it makes you want to see a fourth season, which thankfully we will. Once again the need for subtitles is really not an issue, I know people who have turned off movies after realising they have subtitles but then love this show regardless, because it’s that good. Thankfully just like in Seasons 1 & 2, I sometimes forgot I was even reading them and couldn’t remember if they had been speaking English or not because I had been so drawn in by the story. The show does stray from the true events sometimes and this is something I usually struggle with more-so than others might. I make a point of heading straight to the internet after a movie to find out what really happened with supposed “based on true events” stories all the time. With Narcos I waited until I had finished the first two seasons to read about the Pablo Escobar story in more depth and even when I then found out that some of the events and storylines in the TV show were added in for dramatic effect, it really didn’t bother me and it didn’t this time round either. Which trust me, is saying something.

The mix of presenting styles used in the show continues as well with real news clips being narrated over once again, giving the audience that sense of realism which helps draw you in. The only time I felt it was a little distracting was the bathroom scene, because of the tiles used on set… you’ll see what I mean, it’s because of what I mentioned before about my weird obsession with keeping even the tiniest details of accuracy.

The main storyline is one that gripped me just like the first two seasons and whilst I did prefer the previous two, I have to say that this one is a great continuation of the story. The team behind the show have done well to transition away from the Escobar storyline but stick with the Colombian drug wars without losing my interest. This is something that is not easy to do and reminds me of the series Whitechapel that continued after it’s initial series focusing on a Jack the Ripper theme ended, but then was renewed and had to transition it’s characters and location to fit around similar storylines and move on. I went into the third season of Narcos wanting to see more of what I had seen in the first two and an ending in a similar fashion as they had with me wanting more and feeling satisfied, which is exactly what I got for the most part. My only criticism is that after a really strong build up and penultimate episode, I then watched what felt like a weaker finale than I had anticipated. It felt slightly rushed towards the end as many of the loose ends were quickly tied up so that the next season could go in a new direction, one that I am interested to see play out.

Talk and Beans: Revenge of the Sith

Episode #30 of Talk and Beans is Part Six of Scott WarsSaved by the Sixth. We reach the final prequel and there’s an interesting fresh approach.

Scott and Tom are joined by Steve and discuss whether or not Darth Vader is a good father, Padme during pregnancy, Palpatine’s weird entertainment and if the actors were pushed enough by George Lucas, Tom has a breakdown defending Anakin’s evil streak and Steve has the greatest five hours of his week.

Plus attempts to dissect the science behind the force, weird impressions and plenty of laughs as Scott reaches 2005.

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Episodes 1-6
Episode 7
Rogue One


Talk and Beans: Game of Thrones – Season 7 (Finale & Recap)

Episode #29 of Talk and Beans is our Game of Thrones Season 7 recap.
Scott and Tom talk through the finale and all the big moments in Season 7, including wasted powers, lack of plans from Theon, the inevitable yet questionable incest, how to make a Dragon change weapons and which character would be the best Uber driver. Plus plenty of ridiculous impressions, revisiting old theories and some new wild theories for Season 8.

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Talk and Beans: NXT Brooklyn 3 & WWE Summerslam 2017

Episode #28 of Talk and Beans is on a weekend of hit and miss Wrestling events in WWE.
The boys are joined by Dan and debate the ‘Freebirds rule‘, the match order on Summerslam, WWE dropping the ball with NXT superstars, Storylines that fuel Racism, Tom has a theory about modern streaks and Scott’s opinion on “Big guy” matches. Plus plenty more, listen through the laughter, joy and anger!

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Legendary Entertainer Sir Bruce Forsyth has died 

After months of health problems it has emerged that the CBE awarded entertainer has passed away at the age of 89. Sir Bruce Forsyth has been entertaining since the 1950s and was declared the longest working male entertainer of all time with a career spanning 75 years by the Guinness Book of Records in 2012.

The former TV host’s manager Ian Wilson released a statement about the passing saying “It is with great sadness that the Forsyth family announce that Sir Bruce passed away this afternoon, peacefully at his home surrounded by his wife Wilnelia and all his children.

Sir Bruce became the best paid TV presenter in the UK with his shows The Price is Right, Play Your Cards Right, The Generation Game and most recently Strictly Come Dancing.

We would like to offer our thoughts and prayers to the family of Sir Bruce Forsyth at his difficult time.

Thank you Brucie! For all of your work in British entertainment, May you Rest in Peace.

Talk and Beans: Star Wars – Attack of the Clones

Episode #27 of Talk and Beans is Part Five of Scott WarsAttack of the Groans.

The sequels take a bit of a turn and things start to get controversial.

Scott and Tom are joined by Steve to discuss Anakin’s creepy chat up lines, the prequels feeling different to the originals, tackling the bad acting in the franchise, Scott gets a revelation, Tom has an identity crisis, Steve loves Count Dooku and “Justice for Jar Jar” rages on. Plus plenty more!

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Episodes 1-6
Episode 7
Rogue One


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REVIEW: Blink-182 – The o2 Arena, London (20/07/17)

As we arrived at The o2 there was a great optimistic atmosphere in the air with thousands of people there for the rock show. Even before the concert had begun there was a lot of intrigue with Mark Hoppus only recently having an upper respiratory viral infection just days earlier and had to cancel the band’s show in Bournemouth under doctors orders.

The band were back at it in London the next day though and it seemed like things had cleared up for Mark’s voice enough to let that happen. Now we are onto night 2 of the London dates and for many (including myself) this was going to be the first time watching Blink-182 without Tom Delonge. The introduction of Matt Skiba on the band’s latest release “California” was a good indication of the band’s new direction and YouTube videos can give you some insight when it comes to Matt singing Tom’s old parts but seeing a “new” band member live is really where it makes a difference for most fans.


As the fans were pouring into the arena, shocking news broke in the rock music world. Chester Bennington’s death had just been announced and those that were still outside the venue pre-drinking with the party atmosphere in full swing started to get the news. There was this strange feeling of “I wonder if those people know” and whether or not the band would know and if so, would they be cancelling the show? If Mark’s voice still had issues and news of a friend of the band (one of which they were about to go on tour with) passing away in shocking circumstances came out then it could have been quite the deck stacked against the show going ahead.

After reporting on the Linkin Park singer’s untimely death and taking in the shocked messages throughout social media, we funnelled into the arena to watch the Blink-182 concert we were there to see. The show was going ahead as planned and there was no mention of the big news during the show, we assumed the band had not been told with it breaking so close to their stage time. The band would send their love to Chester after the show on Twitter and cancel their “Blinkin Park” Tour.


One thing I love at concerts is the hype before the artists come on stage and a great part of that is when an artist has entrance music. The Blink-182 boys came on stage to roars from the crowd layered over the amazing Stranger Things theme song which built suspense like no other. Travis Barker took us straight into the performance with the amazing drum intro to ‘Feeling This. Those who eagerly awaited to see what Matt would sound like live with Blink-182 would get their answers fast as Skiba would shout out his lead vocals as fireworks went off and the infamous flaming “F.U.C.K” sign showed up behind the band on the big screens. Blink-182 then swiftly moved into ‘The Rock Show‘ as the graphics changed to promotional artwork for Blink-182 shows highlighting the theme of the song, a trend that continued for the rest of the night and was perfectly executed.


Next up was the first Matt Skiba era song with ‘Cynical’ starting with an infectious singalong with the crowd before Travis went into his fast tempo paced intro for the song. It’s no doubt that this band are still capable of writing songs that capture their original flavour really well.

The band then hit hard with classic hits from their back catalogue with ‘The Rock Show‘, ‘What’s My Age Again?‘ and ‘First Date‘. Something that really stood out from this point was how great the three piece sound together, with Matt coming into the band it wasn’t just vocal duties he was taking on but also lead guitar. It has to be said that the band sounded a lot tighter musically than in previous years. When I saw Blink-182 at Brixton Academy in 2014 it was during a time where they had been getting some negative press for playing quite sloppy. As a longtime fan of the band I had seen plenty of funny videos of them in their younger days mixing songs up, playing them way faster or Tom jokingly having to “think really hard and concentrate” when playing the more complex intro to ‘What’s My Age Again?‘. But those things seemed added to the mix of being under a microscope as the latest band to reunite, having grown up a lot since their first wave and Delonge’s vocal style changing. The newly reunited band seemed to get a hard time for it, especially at Reading & Leeds Festival, which seemed unfair. But with that in mind it does seem like since Matt Skiba joined the band there has been an effort to tighten up, even if it was just a matter of a new member coming in and having more pressure to nail the songs.


The band followed up it’s hit train with the lead single from their most recent album ‘Bored to Death‘. The song is probably the most well known song from “California” and it shows, with the crowd getting strongly behind this one even with it’s slower pace taking things down a notch from the previous three faster paced classics. The great “Ohh, Ohh” singalong throughout is an easy one to feel unison with.

Matt Skiba’s guitar then rang out the chords for ‘Down‘ from the band’s self titled album, a song that has always got the crowd in a sentimental mood as it’s one of those songs that you hear and are just glad you’re at a concert or with friends. This version did feel that little bit more sombre though without Tom’s signature whine that gave the song a slightly more upbeat feeling, however the lyrics do match the style Skiba brings.


Mark then asked for a different Bass and thanked the support bands before saying “This one’s for the ladies” as Travis built up the intro of ‘I Miss You‘, which was followed by soft tones from Mark that really let the audiences voices have space for the emotional singalong. The infamous “Where are you?Delonge whine was due next and with Skiba doing his part the crowd were sure to add their extra whines over the top anyway. The song got a great response as always and after bringing the audience down once more they brought them up with some humour with Mark practicing his English accent. He explained that all you had to do was “Put a ‘U’ in there, somewhere it doesn’t need to be” and you would get the accent. The crowd seemed to have already forgot about the girlfriends they had broke up with when they were 15 and it was time for the band to head straight into ‘Dumpweed‘.


It was at this point that it really hit just how good Matt Skiba could carry some of these older Blink-182 songs, it’s one thing to nail a hit single that even karaoke artists have a good crack at but Matt’s performance for the Enema of the State track really shone for me. It was great to see Blink-182 play so many of their older songs, even with a “new album” and even with a “new band member” in the mix. Mark seemed really in his element during this song, getting to pace around the stage, jumping, singing to himself and just enjoying the gig. He followed up with a “F**k yeah, Matt!”, which got a roar from the crowd as he then encouraged Matt to sing another. Skiba then asked the London crowd to sing with him as he lead them into the singalong intro of ‘Reckless Abandon‘ and the band followed.


Matt praised the audience claiming it was the “best singalong crowd of the whole tour“. Mark said that it was because it was the home of Oasis, which got a boo as they’re from Manchester. He then followed up saying that he was joking and he knew it was actually the home of The Beatles, which got a laugh as they’re from Liverpool. But, it was Matt who struck gold when he named London based The Damned to receive a cheer from the crowd.

The next two songs were both from “California“, firstly ‘She’s Out of Her Mind‘, which got a good reaction. It would have been good for the band to play some of the music video on the screens behind as I think it was a video that really helped bridge the gap between the two era’s of Blink-182 with a tribute to their ‘What’s My Age Again‘ video. Mark then introduced ‘Kings of the Weekend‘ explaining that it was a song about how he hates to get high, which got a laugh and a cheer.

blink182o2arena7Hoppus then explained that there was a small technical difficulty going on but as he was a professional… he knew what to do. He then followed it up with the cliche Rock n’ Roll “Are you guys having a good time tonight?!” to kill some time and then encouraged Matt to play the intro to ‘Sweet Child O’ Mine‘, but he said he couldn’t but he did know how to play it on Bass. Thankfully this did kill some time for Travis to get ready again after the technical issue and his band mates cheered him on as he lead into a great drum solo surrounded by lights and smoke machines. Then it was built up with some guitar playing, flames shooting up and into eased into the classic ‘Violence‘. A song which kept up the high energy and ended the way it started with a display of Travis Barker’s drum skills, smoke and flames. Mark then appeared wiping his face with a towel and saying that it was very hot from the flames as we could all feel the heat in the arena now.

Up next came some more great visuals on screen to go seamlessly alongside the band’s performance of ‘Sober‘, the screen was full of interesting animated characters and of course, “four leaf clovers”. I really enjoyed this song live and I think it’s one that I am going to listen to a lot more now as a result.


Mark then told the crowd “London night two gets a special song“, as he continued to hype the change in set list he told the eager gig goers “you’re gonna tell your grandkids about it” and that they would say “No f**king way” to which people who were there would reply “Shut your stupid mouth you dumb grandkid, we wish you were never born“. The cluster of unscripted humour was the perfect reminder of one of the reasons Blink-182 became so popular. The naturally funny band members and chemistry between them had not been lost over the years as they lead into ‘Happy Holidays, You Bastard’ with all the lights off surrounded by mobile phone torches as if it were a serious and slow ballad.


Up next was another classic from “Enema of the State” as the band went straight into ‘Dysentery Gary‘, once again with awesome visuals behind them on the screens the crowd were treated to a great animated lyric video accompanying the performance which lead into some fantastic shots of Los Angeles to accompany the song ‘Los Angeles‘ from the band’s latest album.

The band left the stage abruptly as everything went dark and the crowd chanted for 5 minutes to get more until the noise of a guitar being picked up and the hi-hat counting in ‘All The Small Things‘ for the start of the band’s encore. The party mood was certainly back as the crowd sang with all breath in their lungs to the 1999 hit. The screens behind the band then showed the crowd themselves, which was a great touch and a “Kiss Cam” showed up briefly. I am not sure if there was a problem with it because it wasn’t up for long but it seemed like a great idea for this portion of the concert but there wasn’t much focus on it after the initial cheer of the graphic. Either way, the crowd shots of people on shoulders and hands flying everywhere was enough to mirror the excitement.


The last song of the night was the band’s first hit single ‘Dammit‘ and it was performed to perfection with more flames and pyro than the night had seen so far. Mark sang out “Thank you, o2, night two” as the confetti fell and the instruments rang out. To close the night Travis’ son Landon Barker got behind the drums to play for a little while with Matt on guitar and Mark on Bass wearing a Donkey Kong mask, the look of a proud dad waiting beside the stage was a nice visual.


The gig ended and the crowd were in high spirits, after a night that started with confusion and mixed emotions at the end of it the crowd were going home from the rock show quite happily.



Legendary Zombie flick director George A. Romero passes away

The man considered to be the leading innovator of the zombie genre has died at age 77 after a short battle with cancer. George A. Romero first found success with the cult classic Night of the Living Dead, the 1968 movie defined the genre and would be the template for many other zombie films to come.

The movie is considered to be one of the greatest independent movies of all time after starting out with a budget of $114,000 and going on to earn $30 million.

Romero released several sequels and influenced countless other directors along the way.

The director passed away in his sleep after what’s been described by his family as a “brief but aggressive” battle with lung cancer.

We would like to offer our thoughts and prayers to the loved ones of George A. Romero at this difficult time.